About Devine Intervention

"Frequently hysterical ... devastatingly honest writing that surprises with its occasional beauty and hits home with the keenness of its insight." 

—Kirkus Reviews, starred review

 

"So much fun... an insightful story about seizing life for all it’s worth while you have the chance."

—Publishers Weekly


"It is a pleasure to read a writer who so delights in language, and who writes so captivatingly in a teen voice with such imaginative description."

— Los Angeles Times

“This is a love story. Not a romantic love story, but a story of the development of a deep caring relationship with another being. Humorous and sad at times, it brings us to ask ourselves what we think about heaven and how we get there. Believable and fast-paced, it keeps us reading to the end.”

Library Media Connection

 

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Entries in conference (19)

Wednesday
Apr242013

An SCBWI success story: Tracy Clark #LA13SCBWI

 Tracy Clark's debut SCINTILLATE, the first in a trilogy, comes out in January of 2014.

Are you thinking about going to the SCBWI national conference in Los Angeles this summer? Excellent! I hope you can go. I went to my first national conference in 2008 and it changed my life. It's where the person who would become my editor--the great Arthur Levine--and I came up with the idea that turned into my picture book, THE DINOSAUR TOOTH FAIRY. That book comes out in just a few weeks.

That same conference, my friend Holly Cupala, who'd just one an SCBWI Work in Progress Grant, got the news that her first two books had sold at auction. While we were ironing our dresses before the poolside party, she came up with her third novel, which she is working on as I type.

In short, these conferences can be essential investments. Whether you're building relationships with other writers, agents, and editors--or whether you're looking for the right bit of inspiration, that's exactly what you get. Ready to go? Sign up here.

But don't just take my word for it. Here's what Tracy Clark, whose first novel comes out in 2014, has to say about her experience with the SCBWI and particularly at the conferences.

I first heard about the SCBWI six years ago from an agent who judged a writing contest in which I placed as a finalist. I was very green, having only written a few chapters of my first novel. The agent sat me down and said, “Let me tell you why you didn’t win…”

This might sound harsh but it wasn’t. It was straightforward and extremely helpful. I was appreciative for her feedback and her advice, some of which was to keep writing, read heavily in my genre, and to go forth and join SCBWI.

I did join, and didn’t have the knowledge to know at the time how fortunate I was to be part of a chapter with such phenomenal leadership as Ellen Hopkins and Suzanne Morgan Williams. My first SCBWI conference experience was in Carson City, Nevada, where I met our local group and heard about an amazing program they had started called, The Mentor Program. I applied and was lucky enough to work one-on-one with Ellen Hopkins over a six month period on my first book.

It resulted in so much growth for me as a writer that I applied a second time and happily, was accepted again to work with Susan Hart Lindquist. I learned very different things from each of my mentors. I’m so grateful to have had that experience and it’s a program that’s still going strong and benefiting many other artists and illustrators. I also joined our local critique group and continue to learn from the other talented writers I’m fortunate to know. I don’t even want to think of the lonely, long path I’d have climbed if I hadn’t joined SCBWI when I did.

In the summer of 2008, I attended my first SCBWI national conference in Los Angeles. There is nothing like the energy of one of the national conferences to stoke your fire! I met people there that I’m still friends with to this day and left inspired and feeling like I had truly found my tribe. These were people who understood the drive, the coffee stained (and sometimes tear-stained) pages, the all-consuming thing that is creating books for kids.

Winning the 2009 Work in Progress Grant from SCBWI was such a thrill! I’d been working so hard on my second novel, and was plagued by doubts about my abilities; an affliction I’m learning doesn’t actually go away, no matter where you are in the process. The timing couldn’t have been better and was the confidence boost I needed to continue on with that novel. I used the grant money to attend the national conference in New York which turned out to be a very fortuitous choice because that’s where I first met the man who would later become my agent, the incomparable and wonderful Michael Bourret.

The story goes: An editor attending the New York conference, who’d been one of the judges of the Work in Progress Grant, approached me at the Writer’s Intensive, and asked about my progress with the novel. Was I agented? When I told her I was not (namely because I was too chicken to send it out) she recommended I talk to Michael Bourret.

This editor didn’t know it, but Michael was at the very top of my agent dream list and I was intimidated (though I needn’t have been) to approach him at the conference. This, my friends, is where participation in SCBWI and knowing people can really help. I asked my mentor, Ellen Hopkins, if she would kindly make an introduction at some point, maybe later, um… sometime…if, you know, she had time… She literally took me by the elbow right that minute, marched me into a party, and right up to my dream agent for a personal introduction! He was very gracious and warm and I ended up signing with him about five months later.

People are always curious about that book in particular because many of the WIP Grant winners have gone on to great success. That novel is a very personal one and I have hopes it will find its home someday when the timing is right. I’ve learned that timing plays a big part in this business and I’ve learned to trust my agent’s advice about when and what to submit. 

I’m thrilled to say that I am officially soon to be published with a different project! My debut novel, a YA and the first in a trilogy, SCINTILLATE, will be published by Entangled Teen in January of 2014. I’m thrilled to share this story with everyone as it’s full of metaphysical mystery, adventure, and romance!

The good things that have happened so far in my career have depended upon putting myself out there and availing myself of the opportunities that SCBWI has to offer by attending both my local SCBWI events and the national SCBWI conferences. If there is any advice I’d give to someone considering one of the national conferences for the first time, it is not to go with the singular goal of getting “discovered” though that can and does happen.

Go! But go to meet fascinating and passionate people. Go to find out that editors, agents, and published authors are approachable, helpful, and open-hearted. Go to learn more about the business so you can navigate the publishing world more easily. Go to learn more about craft so you can continue to grow as an artist. Go to where they understand you. Go to be inspired! If those are your goals, there is no way to leave disappointed. Any other magic that happens is a bonus!

Tracy Clark

www.tracyclark.org

Twitter: https://twitter.com/TracyClark_TLC

Facebook: https://www.facebook.com/TracyClarkAuthor?ref=hl

Tuesday
Jan152013

Robert Brown at Scholastic: How to reach 35 million kids

We have just a few weeks before the annual Society of Children's Book Writers & Illustrators conference in New York City kicks off. It's going to be an incredible career boost, featuring the likes of Shaun Tan, Meg Rosoff, Mo Willems, Margaret Peterson Haddix--not to mention some of the best editors in the business.

So a word about the SCBWI: I've never been a joiner. Quit the Brownies. Did not do the sorority thing. Have never owned any team booster uniforms. I don't do reunions. As a committed member of Club Unaffiliated, I hope I have some measure of authority when I say that the SCBWI is the best thing going for anyone wanting a career in children's literature. You'll learn what you need to learn and meet people you need to meet to get started (and in this category, I include your fellow writers and illustrators). I would not have my career without this group.

If you're serious about your writing and illustrating, joining this organization and attending its conferences are the best investments you can make. There are still a couple of spots open in the winter conference. You can sign up right here.

One thing Team Blog does in advance of these conferences is post interviews with faculty so you can get a sense for who they are and what you'll learn from them. Today I'm featuring an interview with Robert Brown, the national sales and program manager at Scholastic Book Fairs. Bob has long been a friend of children's book writers and has dedicated his career into turning kids into readers. And it's a lot of kids ... 35 million and their families each year. Especially in an age where bookstores are in peril, this way of reaching young readers is vital.

We have a rare opportunity to hear from Bob about how his job works and how we can best position our books for inclusion in the fairs. Here's a glimpse:

First, some background about you: How long have you been at Scholastic, and what led you to the fairs?

In 1987, I founded Cornerstone Books Incorporated (d/b/a Books, Bytes & Beyond), located in Bergen County, N.J. I joined Scholastic Book Fairs in August 2012 because of our shared mission to help children become lifelong readers. I have more than 20 years of experience bringing quality children’s literature to children, parents, teachers, and school administrators through a variety of literacy events.  

How many schools host them, and how many readers do you reach?

Scholastic Book Fairs, working in partnership with schools across the county, hosts more than 120,000 book fairs each year providing more than 35 million students and their families with access to thousands of books.

What's your process for choosing books, and what kinds of books tend to do best with kids?

Scholastic Book Fairs and Scholastic Book Clubs team of book experts, which includes former educators, booksellers, and book fair and book club veterans, review thousands of titles from dozens of publishers every year.  Every book fair and every book club flyer features a wide assortment of age-appropriate books, including the newest and most popular children’s books, as well as a selection of tried-and-true classics, numerous national and state award-winning titles, multicultural books, high-interest nonfiction and other books that will help instill in young children a love of reading and keep them reading for the rest of their lives.

What are the all-time bestsellers?   

Series are generally the popular books for young readers. These include Captain Underpants, Pete the Cat, Skippyjon Jones, Pinkalicious, Fancy Nancy, Magic Tree House, Junie B. Jones, If You Give A…, Llama Llama, Clifford, Hank Zipzer, Goosebumps, Percy Jackson & the Olympians, and the Origami Yoda books. The Diary of a Wimpy Kid, Harry Potter, and the Hunger Games series are some of our all-time bestsellers.

As kids and families increasingly adopt technology, what new opportunities will arise for books and authors through the book fairs?

We have Storia, Scholastic’s exciting new teacher-recommended ereading app that is designed specifically for children.  Storia ebooks are available for every age and reading level and many come enriched with functions to support kids’ reading development, including, comprehension quizzes, vocabulary activities and read-aloud for the younger readers.  There are currently thousands of Storia ebooks, and the list keeps growing. Our book fair materials and displays also include digital enhancements such as QR Codes, where families can access more information about books on the fair, including author videos, book trailers, and reading tips for parents. We also offer an online book fair for families who are unable to attend the in-school event in person.

More information about the Scholastic Book Fairs
Like the Scholastic Book Fairs on Facebook

 

Friday
Dec142012

Molly O'Neill: a 'sucker' for friendship stories #NY13SCBWI

The always delightful Molly O'Neill has spent a decade working in the wonderful world of children's books, and for the past several years has been an editor at HarperColllins' Katherine Tegen Books imprint.

She publishes the gamut: literary and commercial fiction in the picture book, middle grade, and YA categories. You've no doubt heard of Veronica Roth's DIVERGENT and INSURGENT, both No. 1 New York Times bestsellers. She also edited A DOG'S WAY HOME by Bobbie Pyron; the INSIGNIA trilogy by S. J. Kincaid; A CHRISTMAS GOODNIGHT by Nola Buck and Sarah Jane Wright; DESTINY, REWRITTEN by Kathryn Fitzmaurice (forthcoming); and WILD AWAKE by Hilary T. Smith (forthcoming). 

She has a really great blog, named for the daily walk she takes to the subway. And she was kind enough to give us a preview of what she's looking for and what she'll talk about in New York.

Can you give us a preview of what you'll be talking about in New York?

I’ll be talking about my list—sharing some of what drew me to each of those books, as well as some of the questions I ask myself when I’m thinking about acquiring a project.

How does the market look these days? And is there any particular type of story you're hungry for?

The market’s tough! And it’s more bestseller-driven than ever, because all the means of social communication that are so big in our world right now make it really easy for everyone to want to be part of the conversation around the same topic: whether that’s a book, a movie, or the latest viral video about hilarious animals. That means that as an editor, I have to do a lot of honest thinking about how (and if) there are ways to help a story resonate with as many different kinds of readers as possible.

What I’m hungry for as an editor changes, depending on what I currently have on my list—I am usually looking for the opposite, kind of like how when you’ve had too much cake, you eventually start to crave vegetables. In the business world, I think this is called “diversifying your portfolio.” In any case, my list is heavy in the dystopian/futuristic/sci-fi categories right now, so I’ve got my eye out for memorable middle grade, charming or humorous picture books, and YA that feels fresh and non-derivative. I’ve also published a lot of series books lately, so I’m eager to balance my list with the kind of standalones where I know that I’ll be building an author’s strong voice over time, even if his/her books are not directly-connected stories. And I’m eternally a sucker for stories where friendship plays a pivotal role or where the author has created a vivid setting and sense of place that weaves into the story in meaningful ways.
 
When you're reading a submission, what things do you look for that make you want to work with a particular writer?

The sense that the writer is curious, and actively engaged by the world and its many fascinations. A compelling voice. A richly-layered story that makes me think in interesting or meaningful ways. Authorly confidence in the story and characters and world he/she has created. A writer who has clearly devoted significant time in honing his/her craft as a writer. (See also this post that I wrote back in August: http://writeoncon.com/2012/08/the-importance-of-craft-by-editor-molly-oneill/).
 
The speed round: Coffee or tea? Salty or sweet? Cats or dogs?

  • Coffee, unless I’m editing. Then I drink jasmine or peppermint tea. I have no idea why.
  • Usually salty.
  • Cats. Though I’m pro-dog, too.

Follow Molly on Twitter

Here are some favorite posts from Molly's blog: